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PARALLEL SESSIONS
MONDAY 24 |
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| 2:15 pm – 3:15 pm | ||
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CARANGOLA Auditorium |
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| DUBRAVKA POZDERAC-LEJLIC | BOSNIA AND HERZEGOVINA University of Sarajevo Work of art in a network of meaning |
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| VERLAINE FREITAS (moderator) | BRAZIL UFMG – Federal University of Minas Gerais The crisis of individuality and its aesthetic character |
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| YOSAKU MATSUTANI | JAPAN Kokugakuin University Encounter with the Moon: Ethics and Aesthetics of the Post-Earth Era |
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BAESE Auditorium |
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| KEISUKE TAKAYASU | JAPAN Osaka University The Aesthetics of Virtue in Product Design |
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| CHRISTIANE WAGNER (moderator) | BRAZIL USP – University of São Paulo Architectural Design Performance: Utopias, Environmental Aesthetics, and the Anthropocene |
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| CLAUDIA AFONSO | BRAZIL UNB – University of Brasilia Impacts and risks for the coexistence in contemporary cities: the architectural space and the thoughtless use of digital tools |
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SÔNIA VIEGAS Auditorium |
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| ZHU LILI | CHINA Wuhan University Between Lightness and Darkness：The Artistic Space of Lanterns |
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| CINTIA VIEIRA (moderator) | BRAZIL UFOP – Federal University of Ouro Preto The senses on dance |
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| ANNELISE SCHWARCZ | BRAZIL UFF – Federal University of Niterói Can the silence(d) be heard? – An essay about noise |
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BICALHO Auditorium |
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| AKIHISA IWAKI | JAPAN Kindai University What Can Human Artists Create for Chimpanzees? – The Possibility of Interspecies Interactive Art |
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| JESSICA ULLRICH (moderator) | GERMANY University of Art Münster Art and Aesthetics Beyond the Human |
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| JERZY LUTY | POLAND University of Wroclaw What evolutionary aesthetics is not |
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| MONDAY 24 | ||
| 3:30 pm – 4:00 pm | ||
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CARANGOLA Auditorium |
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| GIUSEPPE PATELLA | ITALY University of Rome Tor Vergata Against Barbarism in Art and Life |
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| DANIEL PUCCIARELLI (moderator) | BRAZIL UEMG – State University of Minas Gerais Postconceptual Art As Critical Category |
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| SCOTT CONTRERAS-KOTERBAY | USA East Tennessee State University NFTs and AI Art: Aesthetic Uniqueness Conditionality and the Materiality of Digital Objects |
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BAESE Auditorium |
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| RIZZIA ROCHA (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Conceiving the site as something more than a place: art criticism in contemporary artistic production. |
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| BYUNGKIL CHOI | KOREA Wonkwang University The Aesthetic Judgment over the Boundary between Originality and Plagiarism in Korean Contemporary Art: Four Litigation Cases Related to Artistic Plagiarism |
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| RAINNE | CHINA Doubling the Cube with Origami: Superimposition of Moving Image in Heritage Building |
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SÔNIA VIEGAS Auditorium |
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| ADRIAN KVOKAČKA | SLOVAKIA University of Prešov Is there a place for Everyday Aesthetics in the Critique of Judgement? |
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| VLADIMIR VIEIRA (moderator) | BRAZIL UFF – Federal University of Niterói Kant on Taste and Sociability |
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| VIRGINIA FIGUEIREDO | BRAZIL UFMG – Federal University of Minas Gerais Art after the end of nature |
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BICALHO Auditorium |
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| ARTEM RADEEV (moderator) | RUSSIA St.Petersburg State University Homo tangens and aesthetic experience: between form, texture and temperature |
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| ZHEN YANG | CHINA Sun Yat-Sen University Bodily Laboring as a Dimension of Aesthetic Experience: An Analysis Related to Chinese Aesthetics |
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| TAIKI YANAGAWA | JAPAN Seijo University The life of the plant in ikebana: The flower fully realizing itself with the help of the arranger |
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| MONDAY 24 | ||
| 5:15 pm – 6:15 pm | ||
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CARANGOLA Auditorium |
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| BARBARA BOŻĘTKA (moderator) | POLAND Nicolaus Copernicus University The spread of aesthetic patterns nowadays- influence on values and identity of townscapes |
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| MAO MATSUYAMA | JAPAN Wayo Women’s University Aesthetic Evaluation of the Atmosphere in Suburban Environments |
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| KYOKO OZAWA | JAPAN Wayo Women’s University Representations of the Abandoned Places in 1980’s Japanese Subculture |
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BAESE Auditorium |
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| KAZUTOMO TANOGASHIRA | JAPAN Osaka University of Arts Music Likened to Nature: An Essay on the Music of Toru Takemitsu |
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| PEDRO BRAULE (moderator) | BRAZIL UNB – University of Brasilia Background Noise and Music for Airports: Towards a Passive Aesthetics of Listening in Brian Eno’s Ambient 1 |
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| HENRIQUE IWAO | BRAZIL UFMG – Federal University of Minas Gerais Musical work as Pseudomorphosis |
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SÔNIA VIEGAS Auditorium |
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| IZIS TOMASS | BRAZIL UFPR – Federal University of Paraná Dance as a tool for the quattrocento’s courtly manners |
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| ANA RITA NICOLIELLO (moderator)| BRAZIL UFMG – Federal University of Minas Gerais Dance, body and sensation |
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| VERENA THAN | BRAZIL UERJ – State University of Rio de Janeiro The speech of the body + sound + movement in Guarani rites |
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BICALHO Auditorium |
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| LUANA GOULART (moderator) | BRAZIL UECE – State University of Ceará Partage du sensible and anti-colonial thought: the case of Zanele Muholi |
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| JOÃO VITOR ARAÚJO | BRAZIL UFMG – Federal University of Minas Gerais “The vaporous creations of fantasy”. Dream Plastics in Sigmund Freud |
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| PEDRO HENRIQUE MOREIRA | BRAZIL UFMG – Federal University of Minas Gerais Content Warning |
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| TUESDAY 25 | ||
| 10:00 am – 11:00 am | ||
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CARANGOLA Auditorium |
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| FERNANDA PROENÇA (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Theodor Adorno and the virtual museum: the impact of virtualization on artwork’s truth content |
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| MARIA KOZYAKOVA | RUSSIA State Academic Maly Theatre of Russia Virtual space as a new type of artificial environment |
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| EDER ALEIXO | BRAZIL UFABC – Federal University of ABC Expanded images and the narcissistic smoothing of contemporary perception: an analysis of the MIS Experience case |
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BAESE Auditorium |
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| SULAMITA LINO (moderator) | BRAZIL UFOP – Federal University of Ouro Preto The Ugliness in Art and the Non-Beauty in Aesthetic |
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| TZITZI TORRES | MEXICO National Autonomous University of Mexico The Monster as art in the pre-hispanic world: Edmundo O’Gorman and its aesthetic category of “Monstrosity” |
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| GEORGE PALIZA | PERU PUC-P – Pontificial Catholic University of Peru Infantile Peruvian post mortem photography in the nineteenth century: A comparative study with the cases of the United States and Mexico |
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SÔNIA VIEGAS Auditorium |
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| CHRISTIANE HAUSCHILD (moderator) | GERMANY UFBA – Federal University of Bahia The Instrument as Story: Polymodal Aesthetics of Music in Walter Smetak´s “Simbologia dos Instrumentos” (1983) |
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| NAKAGAWA KATSUSHI | JAPAN Yokohama National University History of Sound in the Arts in Japan: the case of “Onkyo-Chokoku” (meaning sound sculpture) |
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| HANYUN JIANG | CHINA Tsinghua University Old Costumes and New Apparels: A Materialistic View of Line Patterns in Zhang Guangyu’s Figure Paintings |
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BICALHO Auditorium |
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| ALICE LINO (moderator) | BRAZIL UFR – Federal University of Rondonópolis Political-affective images of black women in the art of Rosana Paulino |
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| ALEKSANDRA LUKASZEWICZ | POLAND Art Academy of Szczecin Women’s Issues in Contemporary Kenyan Painting |
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| BRUNA TESTI | BRAZIL UFF – Federal University of Niterói Political theater and feminist movement – Augusto Boal and Barbara Santos |
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| TUESDAY 25 | ||
| 11:15 am – 12:15 pm | ||
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CARANGOLA Auditorium |
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| ANNA LUIZA COLI (moderator) | BRAZIL UEL – State University of Londrina / UFMG – Federal University of Minas Gerais New Image’s politics: posthumanism and the dispute for the future |
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| VALERIA BRANDÃO | BRAZIL UFMG – Federal University of Minas Gerais The Universe of fantasia essata: disruptive computational poetics and the Digital Humanities |
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| KARINA BANASZKIEIWCZ | POLAND University of Silesia (New) Media in the contexts of visual anthropology – anthropophagy – posthumanism. Approaching the Other… |
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BAESE Auditorium |
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| SAKURA YAHATA | JAPAN Toyo University / University of Cambridge Recognition of Land in the Echigo-Tsumari Art Triennale |
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| RUI FUJIMOTO | JAPAN Ritsumeikan University The Violence Embedded in Thomas Hirschhorn’s Bataille Monument |
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| RAFAEL PAGATINI (moderator) | BRAZIL UFES – Federal University of Espírito Santo The copy and the access to information: the museum and the memory of the military dictatorship in Brazil. |
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SÔNIA VIEGAS Auditorium |
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| JAMES PHILLIPS (moderator) | AUSTRALIA University of New South Wales Judgement and Opinion: Arendt’s Reading of the Politics of Kant’s Aesthetics |
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| ELI BENJAMIN ISRAEL | USA Temple University Practical Role of the Kant’s Dynamic Sublime |
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| PAULA MAGALHÃES | BRAZIL UFMG – Federal University of Minas Gerais Imagination and reflection in aesthetics: between Kant and Benjamin |
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BICALHO Auditorium |
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| CLÁUDIA FRANÇA | BRAZIL UFES – Federal University of Espírito Santo Between objects: from transitional objects, by Donald Winnicott, to relational objects by Lygia Clark |
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| LUISA ALVES | BRAZIL UEMG – State University of Minas Gerais The threshold experience as a complementar methodology to write about works of art |
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| PEDRO DUARTE (moderator) | BRAZIL PUC-Rio – Pontifical Catholic University of Rio de Janeiro Nuno Ramos and political art in the face of the pandemic in Brazil |
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| TUESDAY 25 | ||
| 2:15 pm – 3:15 pm | ||
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CARANGOLA Auditorium |
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| JOOSIK MIN | KOREA Yeungnam University A “Good Echo” Permeated with “Naturalness”: Literary Aesthetics of Korean Neo-Confucianist Lee Yi |
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| ERIK VOGT (moderator) | USA / AUSTRIA Trinity College / University of Vienna “Die Literatur ist romantisch”: Romanticism in Peter Handke |
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| SONG HUILING | CHINA Sichuan Fine Arts Institute The Transcendental Meaning of Friedrich Von Schlegel’s Aesthetic Theory |
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BAESE Auditorium |
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| TOSHIHIRO KATAYAMA | JAPAN Hiroshima University Concerto of Breathing and Gravitation: Fractal Structure Theory in the Okada Method of Sitting during Seiza Meditation |
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| XIN AI | CHINA Beijing Foreign Studies University Occult Concepts as Art Theory: On the “Emptiness” and Pan-culturalism of Abstract Art in the Early 20th Century |
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| SUHYANG BAEK (moderator) | CANADA Western University Melancholic Speaking: Comparison of ‘Silence’ in Tragedy and ‘Muteness’ in Trauerspiel |
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SÔNIA VIEGAS Auditorium |
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| VINICIUS FIGUEIREDO | BRAZIL UFPR – Federal University of Paraná Taste, standard, and canon in British Enlightenment aesthetics: a debate with decolonial critiques |
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| CARLA DAMIÃO | BRAZIL UFG – Federal University of Goiás Modern Taste’s Aporia: its Authenticity and Inauthenticity |
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| PEDRO FRANCESCHINI (moderator) | BRAZIL UFBA – Federal University of Bahia Schiller, Rancière and the possibilities of aesthetics |
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BICALHO Auditorium |
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| MICHAEL RANTA | SWEDEN Lund University The Role of Schemas and Scripts in Pictorial Narration |
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| MARCELA OLIVEIRA (moderator) | BRAZIL UERJ – State University of Rio de Janeiro Dialectics and danger: Benjamin and Guimarães Rosa |
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| JULIANA SANTANA | BRAZIL UFT – Federal University of Tocantins The ambiguity in “Famigerado” and the lógos as a powerful lord |
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| WEDNESDAY 26 | ||
| 10:00 am – 11:00 am | ||
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CARANGOLA Auditorium |
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| THOMAZ BARRETO | BRAZIL UNESP – State University of São Paulo Non-contenporaneity and the Critique of Progress |
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| SARA OLIVEIRA | BRAZIL UFF – Federal University of Niterói The natural beauty in Theodor Adorno: in search of a new imaginative logic |
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| BRENO VIEGAS (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Pseudo-individualization and cultural industry in Theodor W. Adorno |
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BAESE Auditorium |
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| JESSICA DI CHIARA (moderator) | BRAZIL PUC-Rio – Pontifical Catholic University of Rio de Janeiro The poem-essay as a rewriting and test device in Marília Garcia |
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| DANIELA BLANCO | BRAZIL USP – University of São Paulo Writing as a mute speech: Rancière and Derrida’s readings of the Platonic scene of the condemnation of writing |
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| FERNANDA ROCHA DA SILVA | BRAZIL UFMG – Federal University of Minas Gerais Delusional with Conceição Evaristo. Escreviver the life of a missing people |
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SÔNIA VIEGAS Auditorium |
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| WILLIAN VASCONCELLOS (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Silence and opacity: an Adornian perspective of cinematographic montage |
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| PATRÍCIA CARVALHO | BRAZIL USP – University of São Paulo From the cinema to the streets |
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| JOSUÉ BOCHI | BRAZIL UFF – Federal University of Niterói A reading of “Aesthetics and Anaesthetics” by Susan Buck-Morss: Benjamin updated, repeated and “radicalized” |
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BICALHO Auditorium |
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| POLONA TRATNIK | SLOVENIA New University Homo ludens of the information age |
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| JULIANA SANTOS (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Art in the apparatus’ world – Vilém Flusser |
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| LEONILDO SANTANA| BRAZIL UFPE – Federal University of Pernambuco Arthur Danto’s philosophy of art: objections to Wittgenstein’s thought |
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ROOM 4094 (4th floor) |
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| KAHLUA TSUNODA | JAPAN Keio University The Bragaglia Brothers’ Photodynamism and States of Mind |
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| CECÍLIA SAMEL | BRAZIL PUC-Rio – Pontifical Catholic University of Rio de Janeiro Dancing through images: Borges and Degas |
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| EDEN PERETTA (moderator) | BRAZIL UFOP – Federal University of Ouro Preto Dancing the “informe”: clues to a post-humanist scene |
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| WEDNESDAY 26 | ||
| 11:15 am – 12:15 pm | ||
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CARANGOLA Auditorium |
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| ALINE ZIM | BRAZIL CEUB – Unified Study Center of Brazilia The Aesthetics of Brasilia’s Fil Space: Cinema, Architecture and Mounting |
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| GUILHERME BUENO (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Disembellish the city! Architectural practice in Europe during the Interwar Period beyond aesthetics and art |
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| ELENA ROVENKO | RUSSIA Strasbourg University The Principle of Structural Self-Similarity in the Ornamentation of the Cathedral of the Assumption of the Buda Castle’s (Budavári Nagyboldogasszony-templom): The Implicit Musicality of the Frigyes Schulek’s Neo-Gothic Project |
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BAESE Auditorium |
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| RACHEL CECÍLIA DE OLIVEIRA (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Decolonizing plurality |
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| CELINA LAGE | BRAZIL UEMG – State University of Minas Gerais The British Museum curatorial narrative and the Parthenon Sculptures at the heart of the decolonization discussion – a matter of ethics |
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| SAADET KÖK | TURKEY Istanbul Technical University An Overview of the Concept of ‘Ethics’ in Sanart Publications |
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SÔNIA VIEGAS Auditorium |
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| AKIRA TSUGAMI | JAPAN Keio University / Paris-Nanterre University Dramatic Effect in Caravaggist Painting: representing repentance and faith |
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| CLARISSA DE SOUZA (moderator) | BRAZIL USP – University of São Paulo A Terrible Beauty: body and subversion in the work of Mary Sibande |
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| LÉA ARAUJO | BRAZIL UFMG – Federal University of Minas Gerais Robert Jasper Grootveld: in the myst of thoughts and actions updated, repeated and “radicalized” |
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BICALHO Auditorium |
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| RENATA PITOMBO | BRAZIL UFBA – Federal University of Bahia The beauty in fashion: corporal poetics and aesthetic experience |
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| ANGELICA ADVERSE | BRAZIL UFMG – Federal University of Minas Gerais Fashion and Art is Life Aesthetics |
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| LUCIANA NACIF (moderator) | BRAZIL UFMG – Federal University of Minas Gerais The fashion code, according to Vilém Flusser |
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ROOM 4094 (4th floor) |
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| WALTER MENON (moderator) | BRAZIL UFMG – Federal University of Minas Gerais What is a public of art? A Transcultural Aesthetics answer |
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| CHARLISTON NASCIMENTO | BRAZIL UEFS – State University of Feira de Santana Art as Poetical Technologies |
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| ISABELA GAGLIANONE | BRAZIL USP – University of São Paulo Aby Warburg: Iconology of Intervals between Philosophy and Humanities |
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| WEDNESDAY 26 | ||
| 2:15 pm – 3:15 pm | ||
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CARANGOLA Auditorium |
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| HIROSHI YOSHIDA | JAPAN University of Tokyo In-Game Machine Manipulation in Video Games |
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| LIN LIN | SWEDEN Uppsala University Action-centered interactivity in videogame playing |
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| VITOR MATISSE (moderator) | BRAZIL PUC-RS – Pontifical Catholic University of Rio Grande do Sul Life is Strange: videogame between ethics and aesthetics |
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BAESE Auditorium |
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| RUTA VABALAITE | LITHUANIA Mykolas Romeris University Echoes of Karl Jaspers’ philosophy in Marina Abramović’s performances |
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| LUCAS SOARES | BRAZIL UFMG – Federal University of Minas Gerais Tatlin’s Whisper #5, by Tania Bruguera: ghosts of disenchantment |
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| RAFAEL ZACCA (moderator) | BRAZIL PUC-Rio – Pontifical Catholic University of Rio de Janeiro Anne Carson, Walter Benjamin and the task of the translator: from translation as form to translation as performance |
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SÔNIA VIEGAS Auditorium |
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| SONIA CAMPANER (moderator) | BRAZIL PUC-SP – Pontifical Catholic University of São Paulo Images beyond representation: evidence and depth of meaning |
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| ZHU ZHIRONG | CHINA East China Normal University On the BenTi(ontology) of Aesthetic YiXiang (mental image） |
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| RAOUL KIRCHMAYR | ITALY University of Trieste Aesthetics of the Afterness. Memory and spectrality |
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BICALHO Auditorium |
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| MAYARA MOREIRA | BRAZIL University of Salamanca Digital images and neoliberalism: an analysis from Hito Steyerl |
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| GUILHERME FOSCOLO (moderator) | BRAZIL UFSB – Federal University of South Bahia Hyperstition Factories: an assessment of contemporary fascist technologies |
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| JORGE OLIVEIRA JR | BRAZIL UNB – University of Brasilia Aesthetics of Brazilian popular manifestations in the Bolsonaro government: landscape and fiction |
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ROOM 4094 (4th floor) |
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| LEONARDO IZOTON (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Tunnings: notes for a metamorphosis of the urban experience |
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| YRJÖ SEPÄNMAA | FINLAND University of Eastern Finland Peace with Nature, Peace in the Creation! |
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| ANA PAULA LOURENÇO | BRAZIL UFRJ – Federal University of Rio de Janeiro Pollination for decolonial aesthetics |
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| WEDNESDAY 26 | ||
| 3:30 pm – 4:30 pm | ||
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CARANGOLA Auditorium |
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| ROSA GABRIELLA GONÇALVES (moderator) | BRAZIL UFBA – Federal University of Bahia Anachronism and Art Theory: a cross between the boundaries of aesthetics, art history and anthropologie |
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| ALICE MARA SERRA | BRAZIL UFMG – Federal University of Minas Gerais Circumstances of image: index, trace, impression (from Hubert Damisch’s and Georges Didi-Huberman’s descriptions) |
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| WASHIGTON MACIEL | URUGUAY University of the Republic of Uruguay The extraordinary is also the ordinary: on the Aesthetics of everyday life |
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BAESE Auditorium |
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| WANG JIANJIANG | CHINA Shanghai Normal University The pre-modern and Bie-modern imaginations of time in the process of spatialization of time |
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| LYUDMILA MOLODKINA | RUSSIA State University of Land Management Phenomenological Aesthetics as a Theory of Architectural Creativity |
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| JASON HOELSCHER (moderator) | USA Georgia Southern University Aesthetic Butterfly Effects in Information Space: Notes on Quasiperiodicity and the Generative Geometry of Difference |
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SÔNIA VIEGAS Auditorium |
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| XI WANG | CHINA Wuhan University of Technology Study on the aesthetic impact of short mobile video on society in China: using Douyin and YiTiao as example |
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| LIU RUNKUN | CHINA How Is Music Short Video Platform Changing Aesthetics and Culture? A Case Study on TikTok Gesture Dance |
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| HELVIO CALDEIRA (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Rupi Kaur and Instagram: poetic creation amid the platform affordances |
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BICALHO Auditorium |
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| MONIQUE ROELOFS | NETHERLANDS University of Amsterdam Indigeneity at the Limits of Transculturation: Decolonial Aesthetics in Claudia Llosa’s The Milk of Sorrow |
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| PEDRO HUSSAK (moderator) | BRAZIL UFRRJ – Federal Rural University of Rio de Janeiro Anthropology: future of aesthetics or aesthetics’ future of anthropology? |
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| LENKA PIPER | CZECH REPUBLIC Palacky Universtiy Olomouc Australian Indigenous Art Between Aesthetics and Anthropology: Karel Kupka’s Legacy |
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ROOM 4094 (4th floor) |
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| MIGUEL DUARTE | BRAZIL After the end of Art History, is time for Art Geography?: Helio Oiticica, Paulo Nazareth and the geopolitics of contemporary art |
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| MIGUEL GALLY (moderator) | BRAZIL UNB – University of Brasilia Hélio Oiticica, space, and the collective genius |
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| PAULA BRAGA | BRAZIL UFABC – Federal University of ABC Hélio Oiticica as a Brazilian scene of Rancière’s aesthetic regime of art |
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| THURSDAY 27 | ||
| 10:00 am – 11:00 am | ||
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CARANGOLA Auditorium |
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| GABRIEL SAN MARTIN | BRAZIL UNICAMP – State University of Campinas Valuation in downfall: Arthur Danto and contemporary art criticism |
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| ÍCARO RAMOS (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Crossing Time as Potentiality: Andy Warhol’s Time Capsules as an undecidable epistemological object |
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| RENAN FERREIRA | BRAZIL USP – University of São Paulo A masterpiece always move in the manner of a ghost”: regarding the similarity between genius and specter in Jacques Derrida |
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|
BAESE Auditorium |
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| CAROLINA PETERS | BRAZIL UFMG – Federal University of Minas Gerais Defetishization and aesthetic objectivity: György Lukács on the specific determination and indeterminacy of art |
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| MARINA MUNIZ (moderator) | BRAZIL UFRN – Federal University of Rio Grande do Norte Art, emancipation and gender human in Karl Marx: Lukács and The Economic & Philosophical Manuscripts of 1844 |
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| REYGSON PARREIRAS | BRAZIL UFMG – Federal University of Minas Gerais Blocks of sensations: brief considerations about the work of art and the artist in the thinking of Gilles Deleuze and Félix Guattari |
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SÔNIA VIEGAS Auditorium |
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| MÓNICA HERRERA | URUGUAY UDELAR – CFE The large-scale sustainability of street art: the dispute over spaces through the Local/Global interaction |
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| DEBORA BARBAM (moderator) | BRAZIL UNIFESP – Federal University of São Paulo The Urban Art: An historiographical view on political art from Argan’s thoughts |
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| VIRGINIA DI BARI | ITALY University of Palermo What do artistic workshop in prison want? The GAP process behind the bars |
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BICALHO Auditorium |
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| BRUNO GUIMARÃES (moderator) | BRAZIL UFOP – Federal University of Ouro Preto What is positiv in the desacralization of art – a new view on the dialectics of the end of art |
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| JAMES KIRWAN | JAPAN Kansai University Which Aesthetic? On the Scope and Limits of Aesthetics |
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| JAMES GARRISON | USA Baldwin Wallace University A Gu That’s Not a Gu: The End of Art in China? |
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| THURSDAY 27 | ||
| 02:10 pm – 03:10 pm | ||
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CARANGOLA Auditorium |
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| HOMEIRA BAGHBANMOSHIRI | JAPAN Kobe University The Influence of Social Order and Power in Video Games’ Urban Spaces |
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| ALEXANDRE BOMFIM (moderator) | BRAZIL UFMG – Federal University of Minas Gerais What videogames can tell us about society |
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| ENEA BIANCHI | IRELAND University of Galway Inhabiting the Apocalypse: Death Stranding and the Aesthetics of a Traumatized World |
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BAESE Auditorium |
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| RAFAEL SELLAMANO (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Sublimity, shock and thought in the classical cinema: reflections on mechanical reproduction in Benjamin and Deleuze |
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| DARKO ŠTRAJN | SLOVENIA AMEU-ISH – Institutum Studiorum Humanitatis Cinema and Alterations of the Transdisciplinarity in Humanities |
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| MARINA ROMANO | BRAZIL UEMG – State University of Minas Gerais Interspatial dialogues: the art exhibition in the material and virtual spaces of Serpentine Galleries and Pinacoteca do Estado de São Paulo |
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SÔNIA VIEGAS Auditorium |
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| AARON KUROSU | USA Princeton University ShapeSpace: Multidimensional shared impressions of shapes |
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| HUANG TIANLE | CHINA Communication University of China Re-Mapping: The Spatial Turn of Moving Image |
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| LUIS FERNANDO SANDES (moderator) | BRAZIL USP – University of São Paulo Geometric abstraction and contemporary art: Brazilian experiences |
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BICALHO Auditorium |
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| MANFRED MILZ (moderator) | GERMANY University of Regensburg Aesthesiometer and Feelies: Multisensory Immersion in Paolo Mantegazza’s L’Anno 3000 (1897) and Aldous Huxley’s Brave New World (1932) |
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| LINDA BERTELLI | ITALY IMT School for Advanced Studies Every successful reproduction has its own secret. Film projects and the use of photographs in “Shut up, or rather speak. Diary of a Feminist” (1978) by Carla Lonzi |
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| JOSÉ BENTO FERREIRA | BRAZIL USP – University of São Paulo The naked life of images |
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| FRIDAY 28 | ||
| 11:15 am – 12:15 pm | ||
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CARANGOLA Auditorium |
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| NIKOLA MITROVIC | SERBIA University of Belgrade Aesthetics of transport infrastructure space as landscape between flows and cultures of movement |
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| DANIEL GUTENBERG (moderator) | BRAZIL UNB – University of Brasilia An architectural aesthetic of realism and utopia |
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| CHARLOTT GREUB | USA North Dakota State University Rewilding Architecture – Land art as agent for NOT building Three case studies between building and land art |
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BAESE Auditorium |
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| ANDRÉ VAILLANT (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Space and state-of-mind: a heideggerian perspective of the work of Vilhelm Hammershøi |
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| JAMILA LIMA | BRAZIL UFPE – Federal University of Pernambuco Bergson, Heidegger and the beautiful as a way of being in the work of Ivan Aivazovsky |
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| VSEVOLOD RYBAKOV | RUSSIA Saint Petersburg Mining University From the Same to the Other: On the Power Levels of Aesthetic Synthesis |
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SÔNIA VIEGAS Auditorium |
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| GABRIELA SÁ | BRAZIL UFMG – Federal University of Minas Gerais Memory, archives and fabulations in the work of Aline Motta |
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| ANDRÉ PENNA FIRME (moderator) | BRAZIL PUC-Rio – Pontifical Catholic University of Rio de Janeiro Art from a sociological point of view? The aesthetic meaning of Jean-Marie Guyau’s entry in Brazil and literature at the dawn of the 20th century |
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| TAISA PALHARES | BRAZIL UNICAMP – State University of Campinas Gilda de Mello e Souza: a pioneer of the Aesthetics in Brazil |
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| FRIDAY 28 | ||
| 5:15 pm – 6:15 pm | ||
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CARANGOLA Auditorium |
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| CAROLINA SENA (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Aesthetic experience as a symbol of freedom in the Critique of the power of judgment |
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| GABRIEL LOUREIRO | BRAZIL / GERMANY Rheinische Friedrich-Wilhelms Bonn University Each being’s face recognize: unending judgment and the ethical structure of the aesthetic judgment |
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| PEDRO SIMÕES | BRAZIL USP – University of São Paulo The Aesthetic approach to Law |
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BAESE Auditorium |
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| ADRIANO KURLE (moderator) | BRAZIL UFMT – Federal University of Mato Grosso Broken totality: Interpreting modern societies through Hegel’s conception of poetic mode of comprehension |
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| KENSUKE IWATA | JAPAN Hitotsubashi University Beauty or Praxis?: Conceptual dilemmas in Hegel’s aesthetics |
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| VINICIUS FRANCISCO | BRAZIL UFLA – Federal University of Lavras Hegel on geniality and artistic creation |
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SÔNIA VIEGAS Auditorium |
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| PEDRO GABRIEL COSTA (moderator) | BRAZIL USP – University of São Paulo Time and progress: Time representations in the work of Jacques-Louis David |
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| TARIK ALEXANDRE | BRAZIL PUC-PR – Pontifical Catholic University of Paraná Time and Saturn: the narrative of W.G.Sebald as an index of negativity |
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| KONSTANTIN ZENKIN | RUSSIA Moscow P.I.Tchaikovsky Conservatory Alexei Losev’s Doctrine of the Prototype of the Artistic Form as a Synthesis of Philosophical Tradition and Historical Art Practice |
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