PARALLEL SESSIONS
Presentation and moderation guidelines
| MONDAY 24 | ||
| 2:15 pm – 3:15 pm | ||
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CARANGOLA Auditorium |
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| VERLAINE FREITAS (moderator) | BRAZIL UFMG – Federal University of Minas Gerais The Crisis of Individuality and its Aesthetic Character |
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| YOSAKU MATSUTANI | JAPAN Otemon Gakuin University Encounter with the Moon: Ethics and Aesthetics of the Post-Earth Era |
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BAESSE Auditorium |
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| KEISUKE TAKAYASU | JAPAN Osaka University The Aesthetics of Virtue in Product Design |
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| CHRISTIANE WAGNER (moderator) | BRAZIL USP – University of São Paulo Architectural Design Performance: Utopias, Environmental Aesthetics, and the Anthropocene |
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| CLAUDIA AFONSO | BRAZIL UNB – University of Brasilia Impacts and Risks for the Coexistence in Contemporary Cities: the Architectural Space and the Thoughtless Use of Digital Tools |
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SÔNIA VIEGAS Auditorium |
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| ZHU LILI | CHINA Wuhan University Between Lightness and Darkness：The Artistic Space of Lanterns |
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| CINTIA VIEIRA (moderator) | BRAZIL UFOP – Federal University of Ouro Preto The Senses on Dance |
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| ANNELISE SCHWARCZ | BRAZIL UFF – Federal University of Niterói Can the Silence(d) be Heard? – An Essay about Noise |
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BICALHO Auditorium |
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| AKIHISA IWAKI | JAPAN Kindai University What Can Human Artists Create for Chimpanzees? – The Possibility of Interspecies Interactive Art |
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| JESSICA ULLRICH (moderator) | GERMANY University of Art Münster Art and Aesthetics Beyond the Human |
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| JERZY LUTY | POLAND University of Wroclaw Is Art a By-Product or an Adaptation? Evolutionary Aesthetics’ Hypotheses Empirically Tested |
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MONDAY 24 |
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| 3:30 pm – 4:30 pm | ||
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CARANGOLA Auditorium |
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| GIUSEPPE PATELLA | ITALY University of Rome Tor Vergata Against Barbarism in Art and Life |
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| DANIEL PUCCIARELLI (moderator) | BRAZIL UEMG – State University of Minas Gerais Postconceptual Art as Critical Category |
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| SCOTT CONTRERAS-KOTERBAY | USA East Tennessee State University NFTs and AI Art: Aesthetic Uniqueness Conditionality and the Materiality of Digital Objects |
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BAESSE Auditorium |
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| RIZZIA ROCHA (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Conceiving the Site as Something More than a Place: Art Criticism in Contemporary Artistic Production |
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| BYUNGKIL CHOI | KOREA Wonkwang University The Aesthetic Judgment over the Boundary between Originality and Plagiarism in Korean Contemporary Art: Four Litigation Cases Related to Artistic Plagiarism |
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| YUYANG RAINNE ZENG | CHINA Xiamen University Doubling the Cube with Origami: Superimposition of Moving Image in Heritage Building |
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SÔNIA VIEGAS Auditorium |
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| ADRIAN KVOKAČKA | SLOVAKIA University of Prešov Is there a Place for Everyday Aesthetics in the Critique of Judgement? |
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| VLADIMIR VIEIRA (moderator) | BRAZIL UFF – Federal University of Niterói Kant on Taste and Sociability |
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| VIRGINIA FIGUEIREDO | BRAZIL UFMG – Federal University of Minas Gerais Art After the End of Nature |
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MONDAY 24 |
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| 5:15 pm – 6:15 pm | ||
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CARANGOLA Auditorium |
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| BARBARA BOŻĘTKA (moderator) | POLAND Nicolaus Copernicus University The Spread of Aesthetic Patterns Nowadays: Influence on Values and Identity of Townscapes |
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| MAO MATSUYAMA | JAPAN Mukogawa Women’s University Aesthetic Evaluation of the Atmosphere in Suburban Environments |
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| KYOKO OZAWA | JAPAN Wayo Women’s University Representations of the Abandoned Places in 1980’s Japanese Subculture |
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SÔNIA VIEGAS Auditorium |
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| VERENA THAN | BRAZIL UERJ – State University of Rio de Janeiro The Speech of the Body + Sound + Movement in Guarani Rites |
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| LUANA GOULART (moderator) | BRAZIL UECE – State University of Ceará Partage du sensible and Anti-Colonial Thought: The Case of Zanele Muholi |
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| ARTEM RADEEV | RUSSIA St. Petersburg State University Homo Tangens and Aesthetic Experience: Between Form, Texture and Temperature |
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BICALHO Auditorium |
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| JOÃO VITOR ARAÚJO (moderator) | BRAZIL UFMG – Federal University of Minas Gerais “The vaporous creations of fantasy”. Dream Plastics in Sigmund Freud |
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| PEDRO HENRIQUE MOREIRA | BRAZIL UFMG – Federal University of Minas Gerais Content Warning |
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TUESDAY 25 |
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| 10:00 am – 11:00 am | ||
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CARANGOLA Auditorium |
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| FERNANDA PROENÇA (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Theodor Adorno and the Virtual Museum: The Impact of Virtualization on Artwork’s Truth Content |
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| MARIA KOZYAKOVA | RUSSIA State Academic Maly Theatre of Russia Virtual Space as a New Type of Artificial Environment |
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| EDER ALEIXO | BRAZIL UFABC – Federal University of ABC Expanded Images and the Narcissistic Smoothing of Contemporary Perception: An Analysis of the MIS Experience Case |
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BAESSE Auditorium |
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| SULAMITA LINO (moderator) | BRAZIL UFOP – Federal University of Ouro Preto The Ugliness in Art and the Non-Beauty in Aesthetic |
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| TZITZI TORRES | MEXICO National Autonomous University of Mexico The Monster as Art in the Pre-Hispanic World: Edmundo O’Gorman and its Aesthetic Category of “Monstrosity” |
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| GEORGE CLARKE | PERU PUC-P – Pontificial Catholic University of Peru Infantile Peruvian Post Mortem Photography in the Nineteenth Century: A Comparative Study with the Cases of the United States and Mexico |
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SÔNIA VIEGAS Auditorium |
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| NAKAGAWA KATSUSHI (moderator) | JAPAN Yokohama National University History of Sound in the Arts in Japan: the case of “Onkyo-Chokoku” (meaning sound sculpture) |
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| HANYUN JIANG | CHINA Tsinghua University Old Costumes and New Apparels: A Materialistic View of Line Patterns in Zhang Guangyu’s Figure Paintings |
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BICALHO Auditorium |
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| ALICE LINO LECCI (moderator) | BRAZIL UFR – Federal University of Rondonópolis Political-Affective Images of Black Women in the Art of Rosana Paulino |
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| ALEKSANDRA LUKASZEWICZ | POLAND Art Academy of Szczecin Women’s Issues in Contemporary Kenyan Painting – Experiences and Perspectives |
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| BRUNA TESTI | BRAZIL UFF – Federal University of Niterói Political Theater and Feminist Movement – Augusto Boal and Barbara Santos |
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TUESDAY 25 |
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| 11:15 am – 12:15 pm | ||
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CARANGOLA Auditorium |
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| ANNA LUIZA COLI (moderator) | BRAZIL UEL – State University of Londrina / UFMG – Federal University of Minas Gerais New Image’s Politics: Posthumanism and the Dispute for the Future |
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| VALERIA BRANDÃO | BRAZIL UFMG – Federal University of Minas Gerais The Universe of fantasia essata: Disruptive Computational Poetics and the Digital Humanities |
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| KARINA BANASZKIEIWCZ | POLAND University of Silesia (New) Media in the Contexts of Visual Anthropology – Anthropophagy – Posthumanism. Approaching the Other |
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BAESSE Auditorium |
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| SAKURA YAHATA | JAPAN Kobe University Recognition of Land in the Echigo-Tsumari Art Triennale |
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| RUI FUJIMOTO | JAPAN Ritsumeikan University The Violence Embedded in Thomas Hirschhorn’s Bataille Monument |
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| THEO FELLOWS (moderator) | BRAZIL UFAM – Federal University of Amazonas Walter Benjamin and the Sublime |
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SÔNIA VIEGAS Auditorium |
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| JAMES PHILLIPS (moderator) | AUSTRALIA University of New South Wales Judgement and Opinion: Arendt’s Reading of the Politics of Kant’s Aesthetics |
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| ELI BENJAMIN ISRAEL | USA Temple University The Practical Role of Kant’s Dynamic Sublime |
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| PAULA MAGALHÃES | BRAZIL UFMG – Federal University of Minas Gerais Imagination And Reflection In Aesthetics: Between Kant And Benjamin |
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BICALHO Auditorium |
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| CLÁUDIA FRANÇA | BRAZIL UFES – Federal University of Espírito Santo Between Objects: from Transitional Objects, by Donald Winnicott, to Relational Objects by Lygia Clark |
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| LUISA ALVES | BRAZIL UEMG – State University of Minas Gerais The Threshold Experience as a Complementary Methodology to Write About Works of Art |
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| PEDRO DUARTE (moderator) | BRAZIL PUC-Rio – Pontifical Catholic University of Rio de Janeiro Nuno Ramos and Political Art in the Face of the Pandemic in Brazil |
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TUESDAY 25 |
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| 2:15 pm – 3:15 pm | ||
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CARANGOLA Auditorium |
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| ERIK VOGT (moderator) | USA / AUSTRIA Trinity College / University of Vienna “Die Literatur ist romantisch”: Romanticism in Peter Handke |
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| SONG HUILING | CHINA Sichuan Fine Arts Institute The Transcendental Meaning of Friedrich Von Schlegel’s Aesthetic Theory |
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BAESSE Auditorium |
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| TOSHIHIRO KATAYAMA | JAPAN Hiroshima University Concerto of Breathing and Gravitation: Fractal Structure Theory in the Okada Method of Sitting during Seiza Meditation |
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| XIN AI | CHINA Beijing Foreign Studies University Occult Concepts as Art Theory: On the “Emptiness” and Pan-Culturalism of Abstract Art in the Early 20th Century |
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| SUHYANG BAEK (moderator) | CANADA Western University Melancholic Speaking: Comparison of ‘Silence’ in Tragedy and ‘Muteness’ in Trauerspiel |
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SÔNIA VIEGAS Auditorium |
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| VINICIUS FIGUEIREDO | BRAZIL UFPR – Federal University of Paraná Taste, Standard, and Canon in British Enlightenment Aesthetics: A Debate with Decolonial Critiques |
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| CARLA DAMIÃO | BRAZIL UFG – Federal University of Goiás Modern Taste’s Aporia: its Authenticity and Inauthenticity |
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| PEDRO FRANCESCHINI (moderator) | BRAZIL UFBA – Federal University of Bahia Schiller, Rancière and the Possibilities of Aesthetics |
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BICALHO Auditorium |
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| MICHAEL RANTA | SWEDEN Lund University From Shapes to Action – The Narrative Turn in Prehistoric Image-Making |
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| JULIANA SANTANA (moderator) | BRAZIL UFT – Federal University of Tocantins The Ambiguity in “Famigerado” and the Logos as a Powerful Lord |
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WEDNESDAY 26 |
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| 10:00 am – 11:00 am | ||
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CARANGOLA Auditorium |
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| THOMAZ BARRETO | BRAZIL UNESP – State University of São Paulo Non-Contemporaneity and the Critique of Progress |
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| SARA OLIVEIRA | BRAZIL UFF – Federal University of Niterói The Natural Beauty in Theodor Adorno: In Search of a New Imaginative Logic |
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| BRENO VIEGAS (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Pseudo-Individualization and Cultural Industry in Theodor W. Adorno |
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BAESSE Auditorium |
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| JESSICA DI CHIARA (moderator) | BRAZIL PUC-Rio – Pontifical Catholic University of Rio de Janeiro The Poem-Essay as a Rewriting and Test Device in Marília Garcia |
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| DANIELA BLANCO | BRAZIL USP – University of São Paulo Writing as a Mute Speech: Rancière and Derrida’s Readings of the Platonic Scene of the Condemnation of Writing |
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| FERNANDA ROCHA DA SILVA | BRAZIL UFMG – Federal University of Minas Gerais Delusional with Conceição Evaristo. Escreviver the life of a missing people |
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SÔNIA VIEGAS Auditorium |
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| WILLIAN VASCONCELLOS (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Silence and Opacity: An Adornian Perspective of Cinematographic Montage |
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| JOSUÉ BOCHI | BRAZIL UFF – Federal University of Niterói A Reading of “Aesthetics and Anaesthetics” by Susan Buck-Morss: Benjamin Updated, Repeated and “Radicalized” |
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BICALHO Auditorium |
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| JULIANA SANTOS (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Art in the Apparatus’ World – Vilém Flusser HIROSHI OKABAYASHI | JAPAN |
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| LEONILDO SANTANA | BRAZIL UFPE – Federal University of Pernambuco Arthur Danto’s Philosophy of Art: Objections to Wittgenstein’s Thought |
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ROOM 4094 (4th floor) |
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| KAHLUA TSUNODA | JAPAN Keio University The Bragaglia Brothers’ Photodynamism and States of Mind |
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| CECÍLIA SAMEL | BRAZIL PUC-Rio – Pontifical Catholic University of Rio de Janeiro Dancing Through Images: Borges and Degas |
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| EDEN PERETTA (moderator) | BRAZIL UFOP – Federal University of Ouro Preto Dancing the “Informe”: Clues to a Post-Humanist Scene |
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WEDNESDAY 26 |
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| 11:15 am – 12:15 pm | ||
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CARANGOLA Auditorium |
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| ALINE ZIM | BRAZIL CEUB – Unified Study Center of Brazilia The Aesthetics of Brasilia’s Fil Space: Cinema, Architecture and Mounting |
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| GUILHERME BUENO (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Disembellish the City! Architectural Practice in Europe During the Interwar Period Beyond Aesthetics and Art |
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| KONSTANTIN ZENKIN | RUSSIA Moscow P.I.Tchaikovsky Conservatory Alexei Losev’s Doctrine of the Prototype of the Artistic Form as a Synthesis of Philosophical Tradition and Historical Art Practice |
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BAESSE Auditorium |
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| RACHEL CECÍLIA DE OLIVEIRA (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Decolonizing Plurality |
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| CELINA LAGE | BRAZIL UEMG – State University of Minas Gerais The British Museum Curatorial Narrative and the Parthenon Sculptures at the Heart of the Decolonization Discussion – A Matter of Ethics |
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| SAADET KÖK | TURKEY Istanbul Technical University An Overview of the Concept of ‘Ethics’ in Sanart Publications |
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SÔNIA VIEGAS Auditorium |
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| AKIRA TSUGAMI | JAPAN Keio University / Paris-Nanterre University Dramatic Effect in Caravaggist Painting: Representing Repentance and Faith |
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| CLARISSA DE SOUZA (moderator) | BRAZIL USP – University of São Paulo A Terrible Beauty: Body and Subversion in the Work of Mary Sibande |
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| ELENA ROVENKO | FRANCE Strasbourg University The Principle of Structural Self-Similarity in the Ornamentation of the Cathedral of the Assumption of the Buda Castle’s (Budavári Nagyboldog) |
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BICALHO Auditorium |
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| RENATA PITOMBO | BRAZIL UFBA – Federal University of Bahia The Beauty in Fashion: Corporal Poetics and Aesthetic Experience |
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| ANGELICA ADVERSE | BRAZIL UFMG – Federal University of Minas Gerais Fashion and Art is Life Aesthetics |
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| LUCIANA NACIF (moderator) | BRAZIL UFMG – Federal University of Minas Gerais The Fashion Code, According to Vilém Flusser |
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ROOM 4094 (4th floor) |
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| WALTER MENON (moderator) | BRAZIL UFMG – Federal University of Minas Gerais What is a Public of Art? A Transcultural Aesthetics Answer |
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| ISABELA GAGLIANONE | BRAZIL USP – University of São Paulo Aby Warburg: Iconology of Intervals Between Philosophy and Humanities |
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WEDNESDAY 26 |
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| 2:15 pm – 3:15 pm | ||
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CARANGOLA Auditorium |
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| HIROSHI YOSHIDA | JAPAN University of Tokyo In-Game Machine Manipulation in Video Games |
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| GUILHERME FOSCOLO (moderator) | BRAZIL UFSB – Federal University of South Bahia Hyperstition Factories: An Assessment of Contemporary Fascist Technologies |
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| VITOR MATISSE | BRAZIL PUC-RS – Pontifical Catholic University of Rio Grande do Sul Life is Strange: Video Game Between Ethics and Aesthetics |
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BAESSE Auditorium |
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| RUTA VABALAITE | LITHUANIA Mykolas Romeris University Echoes of Karl Jaspers’ Philosophy in Marina Abramović’s Performances |
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| LUCAS SOARES | BRAZIL UFMG – Federal University of Minas Gerais Tatlin’s Whisper #5, by Tania Bruguera: Ghosts of Disenchantment |
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| RAFAEL ZACCA (moderator) | BRAZIL PUC-Rio – Pontifical Catholic University of Rio de Janeiro Anne Carson, Walter Benjamin and the Task of the Translator: From Translation as Form to Translation as Performance |
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SÔNIA VIEGAS Auditorium |
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| SONIA CAMPANER (moderator) | BRAZIL PUC-SP – Pontifical Catholic University of São Paulo Images Beyond Representation: Evidence and Depth of Meaning |
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| ZHU ZHIRONG | CHINA East China Normal University On the BenTi (ontology) of Aesthetic YiXiang (mental image） |
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| RAOUL KIRCHMAYR | ITALY University of Trieste Aesthetics of the Afterness. Memory and Spectrality |
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BICALHO Auditorium |
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| MAYARA MOREIRA | BRAZIL University of Salamanca Digital Images and Neoliberalism: An Analysis from Hito Steyerl |
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| JORGE OLIVEIRA JR | BRAZIL UNB – University of Brasilia Aesthetics of Brazilian Popular Manifestations during Bolsonaro’s Government: Landscape and Fiction |
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ROOM 4094 (4th floor) |
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| LEONARDO IZOTON BRAGA(moderator) | BRAZIL UFMG – Federal University of Minas Gerais Tunnings: Notes for a Metamorphosis of the Urban Experience |
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| YRJÖ SEPÄNMAA | FINLAND University of Eastern Finland Peace with Nature, Peace in the Creation! |
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| ANA PAULA LOURENÇO | BRAZIL UFRJ – Federal University of Rio de Janeiro Pollination for Decolonial Aesthetics |
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WEDNESDAY 26 |
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| 3:30 pm – 4:30 pm | ||
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BAESSE Auditorium |
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| WANG JIANJIANG | CHINA Shanghai Normal University The Pre-Modern and Bie-Modern Imaginations of Time in the Process of Spatialization of Time |
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| LYUDMILA MOLODKINA | RUSSIA State University of Land Management Phenomenological Aesthetics as a Theory of Architectural Creativity |
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| JASON HOELSCHER (moderator) | USA Georgia Southern University Aesthetic Butterfly Effects in Information Space: Notes on Quasiperiodicity and the Generative Geometry of Difference |
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SÔNIA VIEGAS Auditorium |
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| XI WANG | CHINA Wuhan University of Technology Study on the Aesthetic Impact of Short Mobile Video on Society in China: Using Douyin and YiTiao as Example |
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| LIU RUNKUN | CHINA How Is Music Short Video Platform Changing Aesthetics and Culture? A Case Study on TikTok Gesture Dance |
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| HELVIO CALDEIRA (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Rupi Kaur and Instagram: Poetic Creation Amid the Platform Affordances |
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BICALHO Auditorium |
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| MONIQUE ROELOFS | NETHERLANDS University of Amsterdam Indigeneity at the Limits of Transculturation: Decolonial Aesthetics in Claudia Llosa’s The Milk of Sorrow |
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| PEDRO HUSSAK (moderator) | BRAZIL UFRRJ – Federal Rural University of Rio de Janeiro Anthropology: Future of Aesthetics or Aesthetics’ Future of Anthropology? |
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| LENKA PIPER | CZECH REPUBLIC Palacky University Olomouc Australian Indigenous Art Between Aesthetics and Anthropology: Karel Kupka’s Legacy |
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ROOM 4094 (4th floor) |
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| MIGUEL DUARTE | BRAZIL After the End of Art History, is Time for Art Geography?: Helio Oiticica, Paulo Nazareth and the Geopolitics of Contemporary Art |
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| MIGUEL GALLY (moderator) | BRAZIL UNB – University of Brasilia Hélio Oiticica, Space, and the Collective Genius |
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| PAULA BRAGA | BRAZIL UFABC – Federal University of ABC Hélio Oiticica as a Brazilian Scene of Rancière’s Aesthetic Regime of Art |
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THURSDAY 27 |
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| 10:00 am – 11:00 am
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| CARANGOLA Auditorium | ||
| ÍCARO RAMOS (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Crossing Time as Potentiality: Andy Warhol’s Time Capsules as an Undecidable Epistemological Object |
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| RENAN FERREIRA | BRAZIL USP – University of São Paulo “A masterpiece always move in the manner of a ghost”: Regarding the Similarity Between Genius and Specter in Jacques Derrida |
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BAESSE Auditorium |
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| CAROLINA PETERS | BRAZIL UFMG – Federal University of Minas Gerais Defetishization and Aesthetic Objectivity: György Lukács on the Specific Determination and Indeterminacy of Art |
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| MARINA MUNIZ (moderator) | BRAZIL UFRN – Federal University of Rio Grande do Norte Art, Emancipation and Gender Human in Karl Marx: Lukács and The Economic & Philosophical Manuscripts of 1844 |
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| REYGSON PARREIRAS | BRAZIL UFOP – Federal University of Ouro Preto Blocks of Sensations: Brief Considerations about the Work of Art and the Artist in the Thinking of Gilles Deleuze and Félix Guattari |
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SÔNIA VIEGAS Auditorium |
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| MÓNICA HERRERA | URUGUAY UDELAR – CFE The Large-Scale Sustainability of Street Art: The Dispute Over Spaces Through the Local/Global Interaction |
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| DEBORA BARBAM (moderator) | BRAZIL UNIFESP – Federal University of São Paulo The Urban Art: An Historiographical View on Political Art from Argan’s Thoughts |
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| VIRGINIA DI BARI | ITALY University of Palermo What do Artistic Workshop in Prison Want? The GAP Process Behind the Bars |
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BICALHO Auditorium |
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| BRUNO GUIMARÃES (moderator) | BRAZIL UFOP – Federal University of Ouro Preto What is Positive in the Desacralization of Art – A New View on the Dialectics of the End of Art |
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| JAMES KIRWAN | JAPAN Kansai University Which Aesthetic? On the Scope and Limits of Aesthetics |
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| JAMES GARRISON | USA Baldwin Wallace University A Gu That’s Not a Gu: The End of Art in China? |
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THURSDAY 27 |
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| 02:00 pm – 03:00 pm | ||
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CARANGOLA Auditorium |
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| ALEXANDRE BOMFIM (moderator) | BRAZIL UFMG – Federal University of Minas Gerais What Video Games Can Tell us About Society |
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| WASHINGTON MACIEL | URUGUAY University of the Republic of Uruguay The Extraordinary is Also the Ordinary: On the Aesthetics of Everyday Life |
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BAESSE Auditorium |
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| RAFAEL SELLAMANO (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Sublimity, Shock and Thought in the Classical Cinema: Reflections on Mechanical Reproduction in Benjamin and Deleuze. |
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| DARKO ŠTRAJN | SLOVENIA AMEU-ISH – Institutum Studiorum Humanitatis Cinema and Alterations of the Transdisciplinarity in Humanities |
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| MARINA ROMANO | BRAZIL UEMG – State University of Minas Gerais Interspatial Dialogues: The Art Exhibition in the Material and Virtual Spaces of Serpentine Galleries and Pinacoteca do Estado de São Paulo |
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SÔNIA VIEGAS Auditorium |
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| AARON KUROSU | USA Princeton University ShapeSpace: Multidimensional Shared Impressions of Shapes |
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| HUANG TIANLE | CHINA Communication University of China Re-Mapping: The Spatial Turn of Moving Image |
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| LUIS FERNANDO SANDES (moderator) | BRAZIL USP – University of São Paulo Geometric Abstraction and Contemporary Art: Brazilian Experiences |
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BICALHO Auditorium |
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| ROSA GABRIELLA GONÇALVES (moderator) | BRAZIL UFBA – Federal University of Bahia Anachronism and Art Theory: A Cross Between the Boundaries of Aesthetics, Art History and Anthropology |
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| LINDA BERTELLI | ITALY IMT School for Advanced Studies Every Successful Reproduction has its own Secret. Film Projects and the Use of Photographs in “Shut up, or rather speak. Diary of a Feminist” (1978) by Carla Lonzi |
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| JOSÉ BENTO FERREIRA | BRAZIL USP – University of São Paulo The Naked Life of Images |
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FRIDAY 28 |
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| 11:15 am – 12:15 pm | ||
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CARANGOLA Auditorium |
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| NIKOLA MITROVIC | SERBIA University of Belgrade Aesthetics of Transport Infrastructure Space as Landscape Between Flows and Cultures of Movement |
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| DANIEL GUTENBERG (moderator) | BRAZIL UNB – University of Brasilia An Architectural Aesthetic of Realism and Utopia |
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BAESSE Auditorium |
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| ANDRÉ VAILLANT (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Space and State-of-Mind: A Heideggerian Perspective of the Work of Vilhelm Hammershøi |
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| JAMILA LIMA | BRAZIL UFPE – Federal University of Pernambuco Bergson, Heidegger and the Beautiful as a Way of Being in the Work of Ivan Aivazovsky |
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SÔNIA VIEGAS Auditorium |
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| GABRIELA SÁ | BRAZIL UFMG – Federal University of Minas Gerais Memory, Archives and Fabulations in the Work of Aline Motta |
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| TAISA PALHARES (moderator) | BRAZIL UNICAMP – State University of Campinas Gilda de Mello e Souza: A Pioneer of the Aesthetics in Brazil |
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BICALHO Auditorium |
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| KAZUTOMO TANOGASHIRA | JAPAN Osaka University of Arts Music Likened to Nature: An Essay on the Music of Toru Takemitsu |
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| PEDRO BRAULE (moderator) | BRAZIL UNB – University of Brasilia Background Noise and Music for Airports: Towards a Passive Aesthetics of Listening in Brian Eno’s Ambient 1 |
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| HENRIQUE IWAO | BRAZIL UFMG – Federal University of Minas Gerais Musical Work as Pseudomorphosis |
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FRIDAY 28 |
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| 5:15 pm – 6:15 pm | ||
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CARANGOLA Auditorium |
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| CAROLINA SENA (moderator) | BRAZIL UFMG – Federal University of Minas Gerais Aesthetic Experience as a Symbol of Freedom in the Critique of the Power of Judgment |
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| GABRIEL LOUREIRO | BRAZIL / GERMANY Rheinische Friedrich-Wilhelms Bonn University Each Being’s Face Recognize: Unending Judgment and the Ethical Structure of the Aesthetic Judgment |
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| PEDRO SIMÕES | BRAZIL USP – University of São Paulo The Aesthetic Approach to Law |
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BAESSE Auditorium |
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| ADRIANO KURLE (moderator) | BRAZIL UFMT – Federal University of Mato Grosso Broken Totality: Interpreting Modern Societies Through Hegel’s Conception of Poetic Mode of Comprehension |
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| KENSUKE IWATA | JAPAN Hitotsubashi University Beauty or Praxis?: Conceptual Dilemmas in Hegel’s Aesthetics |
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| VINICIUS FRANCISCO | BRAZIL UFLA – Federal University of Lavras Hegel on Geniality and Artistic Creation |
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SÔNIA VIEGAS Auditorium |
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| PEDRO GABRIEL COSTA (moderator) | BRAZIL USP – University of São Paulo Time and Progress: Time Representations in the Work of Jacques-Louis David |
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| TARIK ALEXANDRE | BRAZIL PUC-PR – Pontifical Catholic University of Paraná Time and Saturn: The Narrative of W.G.Sebald as an Index of Negativity |
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BICALHO Auditorium |
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| RAFAEL PAGATINI | BRAZIL UFES – Federal University of Espírito Santo The Copy and the Access to Information: The Museum and the Memory of the Military Dictatorship in Brazil |
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| BRUNO JALLES (moderator) | BRAZIL UFF – Federal University of Niterói Of Analogy and the Similar: An Approximation Between Octavio Paz and Walter Benjamin |
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| TAKAHIRO YASAKA | JAPAN Kobe University Approaching the Paradox of Horror Through Meta-Horror Films |
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